Tulare Country Nights

26oct5:30 pm11:00 pmTulare Country NightsTulare Country NightsZumwalt Amphitheatre5:30 pm - 11:00 pm Event Type Concert

Event Details

Welcome to the debut show at the new World Class venue in downtown Tulare! It’s also the first year for Tulare Country Nights featuring Canaan Smith, RaeLynn and Clay Walker. Its a night you won’t want to miss!

CLAY WALKER

There’s more to the duality of Clay Walker’s debut Show Dog Nashville album Texas To Tennessee than the title. Certainly, the realities of place are as central as this comeback album’s name implies: Nashville busily working toward the next fresh hit; Texas moving at its inimitable and familiar pace. There’s also a mix of songwriting and production approaches, evident and more nuanced relationships between the songs themselves, and the overarching presence of a naturally gifted vocalist who relentlessly pursues his own development as a singer. But don’t mistake those dualities for dichotomy – and certainly not polarity. In a storied career dotted with smash singles, platinum albums and countless honors and acclaim, maybe the connection between country’s timeless themes and music-of-the-moment timeliness has been there all along.

Many of the country fans behind the almost 20 million on-demand and video streams for his latest single “Need A Bar Sometimes” – who may also be among his 750,000 TikTok followers – are wholly unaware of Walker’s history. Discovered in a Beaumont area bar by noted producer and head of Giant Records James Stroud (Toby Keith, Tracy Lawrence, Tim McGraw, Kenny Rogers), Walker was in his early twenties when he started rattling off a string of smash hits. Among them, “Live Until I Die,” “Dreaming With My Eyes Open,” “This Woman And This Man,” “Hypnotize The Moon,” “Rumor Has It,” “Then What,” “I Can’t Sleep” and “She Won’t Be Lonely Long.” His self-titled debut album rocketed to platinum status, the first of four to cross the million-sold mark. Racking up more than 30 charted singles and 11 No. 1s wasn’t without its struggles, however.

“Being born and raised in the Houston area, I thought of myself in the line of George Strait and Clint Black, but my first producer had other ideas,” Walker says. “James Stroud pushed me more towards pop sounds I fought with. What he was saying, and I think he was right, was, ‘Clay, you’ve got some gears to you that will excite people if you let it.’ I was young – 23 – and didn’t really settle with that. But now I’m in a sweet spot in music, in life, and I definitely feel the audience has swung around to appreciating music that makes those connections.”

Those links are obvious on Texas To Tennessee. “Anything To Do With You” opens the album with smooth bore country that would feel right at home on any of Walker’s four platinum CDs. Song two is the counterweight single, with its processed steel guitar lick, wistful pandemic-perfect theme and explosive streaming numbers.

Production was handled in tandem by acclaimed multi-platinum producer Michael Knox (Jason Aldean) and chart-topping songwriter Jaron Boyer (“Somewhere On A Beach,” “Hell Of Night,” “Girl Like You”). Recording took place in Galveston and Nashville.

“Jaron Boyer is the best songwriter I’ve ever written with,” Walker says. “He’s had a bunch of No. 1s and lots of album cuts. Plus, he’s a phenomenal singer and track builder. The total package. As a writer, his phrasing and melodies are just insane.”

While Boyer is second only to Walker himself on writing credits, the duo of songs at the heart of the album finds Walker working with the formerly married songwriting powerhouse of Jennifer Hanson and Mark Nesler. “Cowboy Loves A Woman” embodies the “Texas” in the album title. It’s sequel, the title track, narrates Walker’s journey. Together, they are the most direct encapsulation of his core as an artist and as a man. “Catching Up With An Ol’ Memory” is perhaps the album’s singular moment. The exception that stands astride both worlds with its fresh sonic bed, echoes of heroes past and an airy, vocals-up mix.

“The studio can be intimidating for artists because we don’t do this all the time,” Walker says. “I’m sure this is part of producers doing their job in being cheerleaders, but when I was singing ‘Memory,’ Michael Knox got on the talk-back mic with the band and goes, ‘We got us a real singer, boys. I think this might be the album take.’ That was nice to hear. And then for him to show the respect for that vocal in how it was mixed with vocals at the forefront and all that space around it … Singing well is important to me. Having integrity in my vocal cords, continuing to take voice lessons and working on having what I’m going to call free tone – hey, if you’re not trying to get better you never will.”

“Cowboy” is inarguably the album’s “Texas” anchor. “It reminds me of what made country music great,” Walker says. “Not that it’s the greatest country song. Don’t misunderstand. Nor am I the best singer in country music. I have never and would never claim those things. But I might be in a place where I can connect the value in a song that sounds like ‘Need A Bar’ and one like ‘Cowboy.’ And vocally, I’m at my best right now. There’s an ease in my voice – particularly on ‘Cowboy’ – that just makes sense. I sang it through a couple times and we were done. I didn’t have to press. We just had it.”

Elsewhere on the album, “Country Side” is a slow roll on a two-lane built around a hook so pure, it’s a wonder the song wasn’t written before 2020. “I Just Wanna Hold You” flips the title track’s seeking theme around to come to a similar conclusion, while “You Look Good” offers the album’s most of-the-moment sound in embracing the satisfaction of life well loved. The album closes with the sure-fire in-concert party anthem “One More.”

Texas To Tennessee is also a modern album that nods at an earlier era in its time economy. Clocking in under 30 minutes in its entirety and with more than half its songs under three minutes, it recalls some of country’s historical best in terms of uncluttered writing, directness of message and finely shaved construction.

Walker is quick to point fingers. “Throughout my career, there have been key people who helped me put albums together, find or write good songs and get them out to fans,” he says. “But I saw something with this album I’ve not experienced: what it takes to make a championship happen. The songs are your deep-threat wide receivers. The full support of your record label is the offensive line. Michael and Jaron – these guys ran through walls for me. Everyone has done their part and it’s impressive. You can have talent, be famous or have a few hits, but you can’t win the Super Bowl without champions around you. Man, I’ve got ’em.

Teamwork is also at the core of Walker’s battle against Multiple Sclerosis (MS). Diagnosed in 1996, he has become a passionate advocate and fundraiser for others with the disease through his Band Against MS. Among his efforts are the annual Clay Walker Charity Classic at Pebble Beach. The golf event highlights the highly active way Walker has approached MS, continuing to perform and raise a growing family while showing no signs of slowing.

“It’s very gratifying to be at a point in my life where I can offer something in its fullness,” he continues. “I’ve never quite had that before. I was pegged as a neo-traditionalist early on, but I don’t think I fit that mold. For a lot of reasons – maybe the pendulum of music is in the perfect spot – but today’s music and my style have hit center on this album.”

RAELYNN

Two-time ACM New Female Vocalist nominee RaeLynn continues to carve her unique lane in country music with her gift for storytelling through songwriting, accented by a one-of-a-kind, electric personality. As she prepares for an upcoming full-length album release, RaeLynn is set to deliver an emotional soul-stirring anthem with her new ballad, “Funny Girl,” on March 15. The single marks a new chapter in her musical journey, showcasing her growth as an independent artist and her unwavering commitment to authenticity. She also released multiple new singles in 2023 including, “It’s Happening Right Here,” “Broken One,” “Somebody Else, and “What’s Wrong With That.” Since starting her career a decade ago, RaeLynn has become a multi-faceted artist in her own right, releasing a children’s book, “Raisin’ Me A Country Girl,” the namesake of her 2022 hit song, becoming the first country face to represent the global beauty brand Too Faced and making her acting debut in the Hallmark Channel’s “A Nashville Christmas Carol.” With over 2.5 MILLION followers across her online platforms, RaeLynn has both GOLD (“Love Triangle”, “Lonely Call”) and PLATINUM (“God Made Girls”) singles to her name amassing over ONE BILLION total career streams and over 100 MILLION global streams on her 2021 independently-released full-length album BAYTOWN. BAYTOWN followed RaeLynn’s widely praised debut WILDHORSE which arrived at #1 on Billboard’s Top Country Albums chart and was recognized among the best Country albums of 2017 by Rolling Stone, UPROXX and Stereogum. Since becoming a mother in September 2021, her outlook on life has been enriched with growing a family and leaving a legacy of purpose. In doing so, she unapologetically has begun accepting speaking engagements and divulging an unfettered, raw perspective of her inspiring life experiences.

CANAAN SMITH

After years of writing, working and refining his craft, Smith first hit it big in 2015 with “Love You Like That,” the lead single off The critically acclaimed album “BRONCO”. The PLATINUM-selling song skyrocketed to #1 on Billboard’s Country Airplay chart and announced Smith as one of country’s hottest young artists – one with serious musical chops and the kind of unique sound that could stand out in an increasingly crowded field. The BRONCO album spawned a second top 40 hit when “Hole In A Bottle” landed at #20. Smith’s high octane show quickly earned his spot on some of country music’s biggest tours, including an opening slot on Dierks Bentley’s 2015 Sounds of Summer Tour and direct support for Brantley Gilbert’s 2018 Blackout Tour. Recently, Canaan seized on the opportunity to sign a new record deal with his college buddies Tyler Hubbard & Brian Kelly of FLORIDA GEORGIA LINE and has been touring extensively with the superstar duo. In addition to putting out his own music, Canaan has been getting a TON of outside cuts lately- on top of multiple cuts on the latest Florida Georgia Line record and SEVEN songs on Brian Kelley’s solo record on Warner Nashville. Canaan is a writer on 2 songs on HARDY’s Hixtape Vol. II including the Morgan Wallen collaboration “Goin’ Nowhere” and has pending cuts with Jake Owen & Tyler Hubbard. Smith has earned a solid reputation for well crafted songs and one of country music’s most dynamic live shows.

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Time

(Saturday) 5:30 pm - 11:00 pm

Organizer

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